Kirk/Spock Tidbits
darksnowfalling:

Okay, I have totally been neglecting my actual fandom. Here is a wonderful Gayle F piece from 1981. It’s the cover of a (het and gen) anthology zine, The Captain’s Woman #3 but is wonderfully K/S-y <3
And my Gods, the geometry.
Enjoy, everyone, and remember you can learn more by clicking the bolded words for links to their respective articles on Fanlore.org, the best place to learn about fandom history as a whole, and fanzines in particular.

darksnowfalling:

Okay, I have totally been neglecting my actual fandom. Here is a wonderful Gayle F piece from 1981. It’s the cover of a (het and gen) anthology zine, The Captain’s Woman #3 but is wonderfully K/S-y <3

And my Gods, the geometry.

Enjoy, everyone, and remember you can learn more by clicking the bolded words for links to their respective articles on Fanlore.org, the best place to learn about fandom history as a whole, and fanzines in particular.

1) The Death of Spock (WOK)
No single character anchored Star Trek; two did. Almost from the very beginning, the chemistry between Kirk and Spock defined the show in a way that made it impossible to have one without the other.
“I designed Kirk and Spock to complete each other— And, in fact, the Kirk/Spock/McCoy triad proved to be the dramatic embodiment of the parts of one person: logic, emotion, and the balance between them,” Roddenberry said.
It was this interdependency that made the death of Spock arguably the most unexpected, dramatic and emotional sequence in the entire franchise. The protective screen dividing them becomes a metaphor for not only the lines between life and death and human and Vulcan, but also for a heart broken in two. As Kirk slumps to the floor next to his fallen comrade, he too is dying.

Star magazine’s Into Darkness special, “The Top 100 moments of Star Trek” (Emphasis mine)

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During the hey day of K/S fan fiction Spock’s penis came in a huge array of sizes and shapes. Gayle F was the Queen of The Bells - she had Spock with a penis that came in the shape of five bells, and that will always haunt me. And yet… ribbed… for Kirk’s pleasure. Hmm…
The classic fannon that was thoroughly adopted and turned up everywhere was the ‘double ridged’ penis. That is, Spock’s glans had a, er, kind of double echo thing, another set of ridges just underneath. A subtle nod to the alien penis and the fans’ love affair with same.
I’m pretty sure there were a load of self-lubricating penises in the stories - because you could so totally get away with that in fandom. And why not? A self-lubricating penis is logical, dammit, Jim!
There was one story (sadly, I never found this one, only heard about it in horrified whispers from friends) where Kirk had been raped and had developed a fear of penises (other people’s, one assumes, not his own), but that was just hunky dory as Spock didn’t have one. He, instead, had a hundred tiny tentacles that all sort of came together to do the job. How perfect is that? I wish I could find that story, because it’s just like mini-hentai! Hundreds of tiny tentacles! Adorable! Although I think it would make giving Spock head an adventure in eating spaghetti. “Hey, Kirk, you want parmesan on that?”
Oh, and there was this really great novel, I forget what it was called, but it was huge, where Spock’s nuts were on the inside. In fact, he may have had a couple of sets… no, wait, I remember, his nuts where accessible from the back, like, um, near his kidneys or something, so he really, really enjoyed massages, and then his scrotum just filled up with juice prior to coming. Or something. Anyway, it was hot. Back nuts.
My absolute favourite, though, was the extreme alien penis presented by Leslie Fish (Ah, Leslie, your zines are still my sugar bunny comfort fic). Spock’s genitals could best be described as a kind of hairy orchid. When he became aroused, the petals unfolded, revealing a studded (with emeralds) green shaft (again, ribbed for Kirk’s pleasure!), and two little whippy tentacles that just joyfully joined in the fun. [11]
tildedrinkstea:

A page from the Star Trek Anthology Mahko Root (1977) by Leslie Fish.
This is from the era of fanzines and anthologies that shaped the way we behave in fandoms today. 

tildedrinkstea:

A page from the Star Trek Anthology Mahko Root (1977) by Leslie Fish.

This is from the era of fanzines and anthologies that shaped the way we behave in fandoms today. 

spodiddly:

Nightvisions by Merle Decker
raven-ehtar:

slashks:

Henry suggested that slash addresses some of the social forces which block intimacy between men:
“When I try to explain slash to non-fans, I often reference that moment in Star Trek: The Wrath of Khan where Spock is dying and Kirk stands there, a wall of glass separating the two longtime buddies. Both of them are reaching out towards each other, their hands pressed hard against the glass, trying to establish physical contact. They both have so much they want to say and so little time to say it. Spock calls Kirk his friend, the fullest expression of their feelings anywhere in the series. Almost everyone who watches that scene feels the passion the two men share, the hunger for something more than what they are allowed. And, I tell my nonfan listeners, slash is what happens when you take away the glass. The glass, for me, is often more social than physical; the glass represents those aspects of traditional masculinity which prevent emotional expressiveness or physical intimacy between men, which block the possibility of true male friendship. Slash is what happens when you take away those barriers and imagine what a new kind of male friendship might look like. One of the most exciting things about slash is that it teaches us how to recognize the signs of emotional caring beneath all the masks by which traditional male culture seeks to repress or hide those feelings.” — Henry Jenkins, “Confessions of a Male Slash Fan,” SBF 1, May 1993

raven-ehtar:

slashks:

Henry suggested that slash addresses some of the social forces which block intimacy between men:

“When I try to explain slash to non-fans, I often reference that moment in Star Trek: The Wrath of Khan where Spock is dying and Kirk stands there, a wall of glass separating the two longtime buddies. Both of them are reaching out towards each other, their hands pressed hard against the glass, trying to establish physical contact. They both have so much they want to say and so little time to say it. Spock calls Kirk his friend, the fullest expression of their feelings anywhere in the series. Almost everyone who watches that scene feels the passion the two men share, the hunger for something more than what they are allowed. And, I tell my nonfan listeners, slash is what happens when you take away the glass. The glass, for me, is often more social than physical; the glass represents those aspects of traditional masculinity which prevent emotional expressiveness or physical intimacy between men, which block the possibility of true male friendship. Slash is what happens when you take away those barriers and imagine what a new kind of male friendship might look like. One of the most exciting things about slash is that it teaches us how to recognize the signs of emotional caring beneath all the masks by which traditional male culture seeks to repress or hide those feelings.” — Henry Jenkins, “Confessions of a Male Slash Fan,” SBF 1, May 1993

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thesecretmichan:

ftwyn:

Seriously you guys…

#it’s like the ink is made out of gay tears #so so gay

Camille Bacon-Smith speculates that K/S is a way for women to “openly discuss sexuality in a non-judgmental manner.”[14]:323 Kirk and Spock’s depiction in K/S zines has been described as “two equal individuals who complement each other”, and a key theme has been that they can continue working and still be a couple, their relationship enhancing their ability to perform competently in their jobs.[15] A fan has said of the pairing: “K/S has it all: friendship, relationship drama that gets resolved, enormous expressions of devotion through sacrifice, trust and commitment over a period of decades. It’s really hard to find another fictional couple that did all that, and did it as well.”[3]
I’m rather surprised that other people are surprised at the controversy surrounding ALT; it was, after all, the first zine to deal at length with a top that was bound to make a lot of people uncomfortable at the very least, for the theoretical (the idea of homosexuality) and specific (Kirk and Spock are doing THAT?) reasons. I suppose that with the great emphasis on the Kirk/Spock relationship, in the last year or so, the topic was inevitable, especially given the current climate [7]— if anyone has noticed, this is also been the Year of the Gay on television. [8]
I hoped Thrust would make some kind of mark, both as a forum for writing and as a forum for the analysis of the K/S theme…. But it was the K/S theme itself that electrified fandom. As it added a dimension to the relationship between the two men, it added a new and lively dimension to fandom, providing a complex and invigorating idea to ponder, an emotional reference that took fandom by storm. I believe that the K/S theme has played a large part in keeping active fandom alive. [14]
“Did K/S Save Trek Fandom? (quote from 1984)” from Kirk/Spock on Fanlore